#shitgirls(and-other-people)say, our favourite meme of the moment

Our new favourite meme (better than sloths), #shitgirlssay, has been brilliantly spoofed by Lululemon in the recent #shityogissay video – a clever example of unmarketing and canny timing, that had us in stitches.

Justice Marshall over at Social Nature blog identifies it as “trend-jacking” that is “funny as hell.”

because they say shit. Can brands say shit? Apparently Lululemon thinks so. The video was just posted yesterday and yes, there’s been some backlash. It’s edgy. It’s risky. I think it’s funny as hell. I bet it hits a million views by the end of the weekend.

A few spoofs we’d like to see before the shelf-life of this particular meme expires (we give it 3 months, tops):

  • #shithockeyplayerssay

(Oh look, it already exists.

“I would have loved to be in Pittsburgh, but they didn’t want me. They said I was too small.”

  • #shitdog-ownerssay (or #shitcrazycatpeoplesay)

“My dog just poked me on facebook.”

  • #shitgeekssay

“Did you reboot?”

Okay, let’s crowd-source this puppy. What have you got?

To tradeshow or not to tradeshow

by MJ Legault
Trade shows used to be a place where orders were written, new accounts were found, connections were made and brands were launched.  With the challenging economy, the importance of showrooms and the consolidation of brands, we’ve started to wonder if there’s still a place for tradeshows? Why do some tradeshows appear to be thriving while others are dying? I thought I’d explore answering these questions, and in the process try to get to the bottom of what makes a good show and what makes one…well…suck ass.

I started my quest with a look at those that are doing well (not surprisingly, those were the ones that got back to my request for information, so analyzing them is easier).

Outdoor Retailer
This grandaddy of North American shows attracts approximately 40,000 attendees on a semi-annual basis for its Winter and Summer Market shows in Salt Lake City. Brands big and small gather for the most comprehensive showcase of outdoor companies. Outdoor Retailer continues to attract national and international dealers in every category—specialty, specialty chain, general sporting goods, military, resort, mail order, big box and mass merchant retailers—and their numbers reflect this.

I attended the OR Summer Market this year and though I was a bit bored by SLC’s nightlife, I was blown away by the event, the vibe, and the mix of attendees. You know it’s a thriving event when you go out for your run at 7am and you find yourself surrounded by 15,000 other runners (not quite something I’d ever experienced at SIA). And while they may not have been out for a morning run, action sport brands were clearly making their way into the show. Those brands are seeing the opportunity that the outdoor dealers offer and the extension of their products into this sphere is obviously starting to make sense to them.

So what are the results when you pull together a relevant show with an expanding market of participants? Attendance numbers over the last 5 years for OR have seen a remarkable increase in both seasons:

  • OR Winter Market  went from 16,936 attendees in 2010 to an impressive 20,002 in 2011.
  • OR Summer Market jumped from 21,465 in 2010 to 25,494 in 2011.

When I asked Kenji Haroutunian, the show’s Vice President how he explains the Show’s growth, he said “there are a number of elements including managed B2B + B2C value for exhibitors, continual innovation at the hardgoods core as well as in apparel, footwear and lastly, fully merchandised product presentations that speak to today’s retailer who is not horizontally oriented anymore (shoe stores, shirt stores, accessories stores are now Lifestyle stores).”


He also said that Outdoor Retailer is fortunate to serve a market that is both innovation driven, and depicts a desirable lifestyle to the public…  In addition we are moving the show to a new platform that delivers more value to attending retail buyers, as well as design professionals and media; this new platform features new trade show tools, business education, and targeted networking opportunities powered by applied technology.  The events world is fast-evolving, and we plan on delivering a cutting edge event that will inspire and inform our audience show after show.

The KNOWSHOW
For our non-Canadian friends, the KNOWSHOW is positioned as Canada’s premier lifestyle show. When the KNOWSHOW started a few years back, it seemed to be in direct response to the NSIA show which, at the time, really was starting to tank.

I asked Perry Pugh, the show’s general manager about their start. He said, ”We started the KNOWSHOW to give retailers and brands that focused on action sport and lifestyle fashion brands a market that was better suited to their needs.  With the geographical realities of Canada, trade shows are not going anywhere and we set out to make these necessary situations a positive thing for everyone to look forward to.”
Each of their last four shows drew more than 800 buyers representing approximately 400 stores. The attendance is rounded out with more than 400 Industry reps, managers and marketers and sponsored athletes and over 100 registered media members representing the fashion and action sports blogging community.

According to Pugh, “our focus is to grow our show so that Canada’s best retailers can find brands and categories that will enable them to succeed, while continuing to provide a friendly and relaxed atmosphere for all of the stakeholders in our industry to meet and grow our business in a positive way”.

NSIA
I have some strong personal opinions on NSIA and will try to keep them in check. Basically, I think the show went from being a national must-attend event to being a completely irrelevant show with no soul. There, I said it. In recent years, the NSIA has re-invented its show and has seen some success. The demo at Mont Tremblant was well attended and the brands we spoke to felt that it was a great opportunity to connect with their East Coast retailers (especially those who are outside the city centers).  The NSIA continues to struggle to find a reason for being. Unlike OR and the Know Show, The NSIA is an association-based show and at times it feels like the show tends to suit the needs of those on the board, and not especially interested in changing their processes to modernize the experience.

ASR
As we know, ASR events have been indefinitely suspended. According to their press release, “Recent consolidation among major brands and even meaningful changes in the retail environment has significantly altered the landscape.  Given the competition among key brands and the consolidation among retail shops, it appears for now, to be mostly a market share battle for floor space. This dynamic, combined with tight credit markets, has been hard on the new, smaller or up-and-coming brands as well as many independent surf, skate and boutique retailers. We expect this consolidated and competitive situation to continue to characterize the action sports industry in California for some time to come. Given these fundamental changes, it has proven to be increasingly difficult for the ASR shows in San Diego to serve the new needs of the action sports marketplace. Therefore, we are indefinitely suspending these events.”

So what do these successful and not-so-successful case studies tell us? Here’s my take:
  • Those shows expanding their appeal to new audiences are finding more success
  • You don’t have to be in Vegas to be successful
  • Engage media as partners
  • Utilize technology and new marketing platforms to provide value to show attendees
  • Re-evaluate the business education component of your show. If only 10 people show up to the free seminars, perhaps you don’t have your pulse on what people are needing or wanting to hear.
  • Don’t forget to create real and facilitated networking opportunities. Technology needs to play a role in these.
  • Aim to inform and inspire.
In the next issue of this blog post, we’ll look at Interbike, SIA, ISPO and Bread & Butter. We’d love some feedback on these shows and any if you feel tradeshows are still a must and why.

Merci.


Whistler Blackcomb’s Embedded featuring Mike Douglas – the Origin Case Study

The Challenge:
With the start of each winter season Whistler Blackcomb faces the challenge of maintaining its leadership position, promoting opening day, raising awareness for (usually awesome) early season conditions, stimulate visitation and generating general stoke and buzz among snow-lovers. For the start of the winter 2011.12 season, Origin was challenged to create a campaign that would

  • Increase brand awareness and brand engagement for Whistler Blackcomb
  • Entertain, inform and inspire with a story that would incite trial and increase loyalty
  • Showcase Whistler Blackcomb’s unique assets and communicate early snow and opening day messaging
  • Create and distribute quality, compelling video, text and photo content
  • Drive traffic to whistlerblackcomb.com and the Whistler Blackcomb social channels
  • Engage both the mainstream skier and the core skier and snowboarder, without alienating either

Within the changing marketing landscape, it was clear that a fresh approach to this challenge was required and the traditional print, tv and radio campaigns wouldn’t make the grade.

The Approach:
Building upon the central insight that while storytelling is enduring as a marketing tool, today’s stories need to be a conversation rather than a lecture. They require a “hole” in the story into which customers can insert themselves and connect with the brand. With this in mind, Origin proposed a “blogger-in-residence” strategy that would provide a unique platform on which Whistler Blackcomb could communicate its key messages in an engaging, genuine and transparent way, without alienating the core ski and snowboard audience who see straight through and dismiss and traditional ’sales’ efforts. The result was “Embedded – Inside the Story”, a collaboration with pro skier and award-winning filmmaker Mike Douglas (and his company Switchback Entertainment) aimed at kicking the season off with a bang. A new media concept with PR and social applications, the campaign embedded Mike at the peak of Whistler Mountain in a Patrol Shack for 6 days and nights with nothing but a sleeping bag and his camera, to create behind the scenes video reports of a mountain preparing for Opening Day.

The Outcomes:
A campaign teaser was concepted by Origin and Switchback Entertainment, with a call to action to sign up for the notification when Mike’s adventure would begin. A campaign web page (whistlerblackcomb.com/embedded), designed by Origin and developed by the Whistler Blackcomb team operated as a central hub where Mike’s posts, a Flickr gallery featuring still photo documentation by ski photographer extraordinaire Paul Morrison, and a live Twitter feed provided even more content from life at the top of the mountain. An online advertising campaign in vertical media drove traffic to the site. And of course the main event —six beautiful, inspiring and entertaining webisodes were created by Switchback Entertainment and loaded nightly to recap the prior day’s events.

While the campaign is still in circulation, the result is a project that truly captured the hearts and minds of mountain lovers and was shared widely through social channels. The campaign has netted over 200,000 video views since the campaign began just days before opening day. Spikes have also been tracked in web traffic, social media engagement, sharing and interaction.

http://embedded.whistlerblackcomb.com/

Online behaviour of Quebec travellers

A study on the online behaviour of Quebec travellers was just released and sheds light on this important group of Canadian travellers. I spare you the long pages of research (and the French report) with this summary. Though math is not my strongest subject, be aware that survey respondents were allowed to choose many answers, therefore not every answer adds up to 100%.

DESTINATION OF YOUR LAST TRIP
Quebec 36%
Elsewhere in Canada 11%
USA 20%
Mexico, Caribbean 24%

NUMBER OF TRIPS OVER THE LAST 12 MONTHS
1 trip 21%
2 trips 26%
3 trips 19%
4 trips 9%
5 trips and more 25%

What are your sources of inspiration when choosing your travel destination?
Friends and Family 58%
Internet 50%
Brochures, flyers and free travel guides 25%
Magazines and newspapers 15%
Travel agent 13%
Tourism offices 11%
TV 7%
Billboards 2%
Radio 2%

What were the main websites you visited to inspire your destination
Google 51%
Online Travel sites 33%
Accommodation sites 36%
Destination websites 29%
Traveler feedback websites 29%
Tour operators 21%
bonjourquebec.com 11%

BOOKING AND RESERVATION PREFERENCES
Do you prefer booking online or offline
Restaurant reservation – 84% prefer offline
Spas and wellbeing services – 65% prefer offline
Activities (kayak, fishing, etc) – 63% prefer offline
Attractions with limited places 51% prefer ONLINE
Cruise 51% prefer ONLINE
Multi-activity package 51% prefer ONLINE
Car rental 54% prefer ONLINE
Flights 66% prefer ONLINE
Accommodation 66% prefer ONLINE
Train 71% prefer ONLINE

SOCIAL MEDIA USE AFTER TRAVEL
54% say they did not use social media during their travel
40% say they used social media for photo sharing
32% say they shared comments about their travel
10% say they read comments related to travel experience
9% shared travel videos

For a more visual copy of the report, you can visit: www.tourisme.gouv.qc.ca

How to Make Headlines

Breaking News! According to Global BC’s Sunday newscast:

The City of Trail is getting buzz, not because it’s home to the largest zinc smelter in the world and prices are up, but because of a new ski movie that’s going viral.

JP Auclair’s urban skiing segment was posted 2 weeks ago on several ski mag forums, and the contagion factor was as rapid an Ebola fever pandemic. The fact that the segment has generated more than half a million hits on vimeo was enough to make it prime-time newsworthy, especially given the eagerness of Trail’s mayor to claim it as a local success story. (The story runs at 11:43.)

Our takeaway from this well-deserved success for the hard-working crew and athletes behind All.I.Can?

JP Auclair Street Segment (from All.I.Can.) from Sherpas Cinema on Vimeo.

1. 90 awesome seconds of a ski film will do more for the image of a town than a city-convened Image Committee will achieve in three years.

2. Social success is now driving mainstream media headlines.

3. Dave Mossop’s mustache WON Movember.

But seriously, we’ve seen evidence of this appetite for authentic story, character and playfulness, (as distinct from contrived and highly managed messaging), with several of our winter campaigns, from the Tourism Whistler Sabbatical Project, to Whistler Blackcomb’s Embedded, to Jay Peak’s winter launch of the Pump House.

The campaigns, anchored in digital storytelling and playful experience, have generated massive uptake in consumer engagement, and spilled over into headlines in the New York Times and widespread online sharing. (All we were missing were the mustaches.)

Would you ski a run called DOA? from Tourism Whistler on Vimeo.

Bottom line on how to make prime time headlines? Do good work, that speaks truly to your core constituents. Hit share.

Snapshots from Whistler Blackcomb Embedded: The People’s Choice

It’s the time of year everyone starts churning out “best of” lists. So we’re getting into the spirit. We asked folks in our facebook and twitter communities to tell us their favourite moment from Embedded, the opening campaign for Whistler Blackcomb this winter.

Here’s a gallery featuring some of the top hits, including the weather shock of Mike’s feet leaving Hawaii to crunch across the snow in ski boots, the patrol shack’s resident rodents, the pure stoke of everyone running from the gondola into Opening Day, and the final starry time-lapse.

But, as amazing a job that Mike Douglas and the team at Switchback Entertainment (supported by quite a few superstars behind the scenes at Whistler Blackcomb) did, we venture to say the real star of the show was La Niña. After all, that pounding snow storm that nearly shook the shack down sure delivered paydirt for the opening day, and kicked off this season with pure stoke. The fact that La Niña seems to have embedded herself at Whistler is the best part of all.

One long-time local later told Mike Douglas: “THAT is why I moved to Whistler.” Which tells you that this marketing campaign was no snow-job.

For insight into the campaign, and whether you can expect Embedded II: With a Vengeance, to come soon to a theatre near you, check out this interview with our Creative Director, live on Slopefillers today.